Message In A Bottle

  • Londres
  • Sadler's Wells + Universal Music UK

    Message In A Bottle

    Kate Prince, Sting
Length – 1 h 50 min including intermission Venue – Salle Wilfrid-Pelletier, Place des Arts
12 March 2024 - 20 h 00
13 March 2024 - 20 h 00
14 March 2024 - 20 h 00
15 March 2024 - 20 h 00
16 March 2024 - 20 h 00

An exhilarating celebration of dance, music and hip hop, inspired by and set to iconic hits by 17-time Grammy Award-winning artist Sting, including Every Breath You Take, Roxanne, Every Little Thing She Does Is Magic, Walking On The Moon, Englishman In New York, and Fields Of Gold. Performed by 15 dancers and featuring the astonishing talents of dance storytelling powerhouse ZooNation: The Kate Prince Company. 

Renowned in the UK for helping to introduce street dance to a wider audience, Kate Prince draws on some of legendary vocalist and bass player Sting’s best-known songs to weave a perilous human adventure inspired by the drama of migrants. In 28 tableaux danced by a remarkably diverse ensemble, this “message in a bottle” tells an uplifting story of hope, resilience and joy. A contagious vitality, a large-scale evening that will leave you amazed, moved and energized. 


Post-performance talk with the artists

    Wednesday March 13, 2024
    Friday March 15, 2024

  • Kate Prince

    Kate Prince

    Choreographer / Director /Writer

    Kate Prince is a director, writer and choreographer. She is also the Artistic Director of ZooNation: The Kate Prince Company which she founded in 2002. Kate is an Associate Artist at both The Old Vic and Sadler’s Wells, where ZooNation: The Kate Prince Company is also a Resident Company.

    In 2005 Sadler’s Wells commissioned the company’s first full-length work, Into the Hoods, conceived a...

    Read more about Kate Prince
  • Sting

    © Eric Ryan Anderson.


    Music and Lyrics

    Sting’s latest album, The Bridge showcases his prolific and diverse songwriting prowess and marks his 15th solo studio album. Representing various stages and styles from throughout his unrivaled career and drawing inspiration from genres including rock n’ roll, jazz, classical music and folk, the eclectic album features Sting’s quintessential sound on pop-rock tracks such as the album’s opening rock ...

    Read more about Sting
  • Sadler's Wells + Universal Music UK

    About Sadler's Wells

    Sadler's Wells is a world-leading creative organisation based in London committed to the making of dance, with over three centuries of theatrical heritage. Since 2005, Sadler's Wells has created award-winning dance productions, co-productions and touring projects in collaboration with its portfolio of Associate Artists, as well as international dance companies and partners.

    These include Russell Maliphant...

    Read more about Sadler's Wells + Universal Music UK

A Sadler’s Wells and Universal Music UK production co-produced with Birmingham Hippodrome and The Lowry, Salford
Message In A Bottle

Directed and Choreographed by Kate Prince.
Based on the songs of Sting.
With ZooNation: The Kate Prince Company.

Creative team
Director & Choreographer Kate Prince.
Music & Lyrics Sting.
Music Supervisor & New Arrangements Alex Lacamoire.
Music Producer & Arranger Martin Terefe.
Music Co-Producer & Mixer Oskar Winberg.
Set Designer Ben Stones.
Video Designer Andrzej Goulding.
Costume Designer Anna Fleischle.
Lighting Designer Natasha Chivers.
Sound Designer David McEwan.
Dramaturg Lolita Chakrabarti.
Associate Choreographer Lukas McFarlane.
Music Associate & Additional Arrangements D.J. Walde.
Assistant Choreographers Tommy Franzen and Lizzie Gough.
Remount Resident Director Lizzie Gough.

Company of dancers Oliver Andrews, Nafisah Baba, Lindon Barr, Deavion Brown, David Cottle, Harrison Dowzell, Nestor Garcia Gonzalez, Natasha Gooden, Lizzie Gough, Anna Holmström, Megan Ingram, Ajani Johnson-Goffe, Charlotte Lee, Dylan Mayoral, Lukas McFarlane, Robbie Ordona, Lara Renaud, Hannah Sandilands, Daniella Selwood,  Jessey Stol, Steven Thompson and Gavin Vincent and Malachi Welsh.


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